Movies

Mood’s Nicole Lecky Reveals Streamers’ Misunderstanding of Show

  • Nicôle Lecky criticizes streamers for not grasping the complexities of her BBC drama Mood
  • She praises the BBC for understanding the specificities of the show
  • Mood, based on Lecky’s one-woman play Superhoe, won the BAFTA for Best Mini-Series
  • Lecky highlights the challenges faced by under-represented talent in the industry
  • She emphasizes the need for diverse voices to have control over their own stories

Introduction

British creative Nicôle Lecky, known for her BAFTA-winning BBC drama Mood, has criticized streaming platforms for their lack of understanding of the nuances in her show. Lecky voiced her concerns at the Outside the Box event in London, where she praised the BBC for their comprehension of the specificities behind Mood. This comes as she is currently working on another untitled BBC series.

The Success of Mood

Mood, a musical drama that aired nearly two years ago, was based on Lecky’s one-woman play Superhoe. The show received critical acclaim for its originality and its insightful portrayal of social media culture. It even beat out tough competition, including This is Going to Hurt, to win the coveted Best Mini-Series BAFTA last year.

Streamers’ Lack of Nuance

Speaking at the event, Lecky revealed that streaming platforms failed to grasp the true essence of Mood during the pitching process. She claimed that there was a push from the streamers to simplify the show and market it to a specific audience. In doing so, they overlooked the nuanced exploration of the experiences of a mixed-race girl in London, which was central to the story. Lecky contrasted this with the understanding shown by the BBC, who recognized and appreciated the specificities of the show.

Challenges for Under-represented Talent

Lecky also shed light on the difficulties faced by talent from under-represented backgrounds, particularly when they reach a “middling point” in their careers. The industry tends to focus on emerging talent and those at the top, leaving those in the middle feeling lost and overlooked. She highlighted the pressure to become a “diversity beacon” or only be involved in certain types of stories. Lecky shared her frustration with production companies assuming that as diverse talent, she would only be interested in projects that fit certain stereotypes.

Empowering Diverse Voices

Lecky emphasized the importance of talent knowing what stories they are genuinely interested in and what their vision is. She stressed the need for diverse voices to have control over their own narratives and not be limited by the assumptions and expectations of the industry.

Conclusion

Nicôle Lecky’s critique of streaming platforms’ lack of understanding of the nuances behind her award-winning BBC drama Mood highlights the challenges faced by under-represented talent in the industry. Her praise for the BBC’s comprehension of the specificities of the show serves as a reminder of the importance of diverse voices in storytelling. It is crucial for the industry to recognize and support these voices, allowing for a more authentic and inclusive representation in the media.

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